Graham Badari Kunwinjku, b. 1963
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Graham BadariMibbarr (White Bellied Sea Eagle), 2020ochre and acrylic on Arches paper (framed)76 x 51 cm$ 2,700.00
29 7/8 x 20 1/8 inSee more... -
Graham BadariKardabaibai (Darter) catching Manmakkawarri (Catfish) at the Kulabbarl (Billabong), Kurraguyangguyang (Jacana) on Mandem (Lilypads), 2018ochre on Arches paper (framed)41 x 61 cm$ 1,900.00
16 1/8 x 24 1/8 in
Everywhen ArtSee more...
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Synergy 2022
First Nations artists from around Australia 29 Aug - 13 Sep 2022FIRST NATIONS ART FROM AROUND AUSTRALIA Xavier Performing Arts Centre, Xavier College Senior Campus, 135 Barkers Road, Kew, 3101 A fundraising exhibition of 46 paintings, barks, ochres, weavings and jewellery...Read more -
In Black + White
Aboriginal art in monochrome 11 - 30 Aug 2022Aboriginal art in monochrome. Plus complementary colors of reds,ochres, and earth tones. 40+ works include acrylic paintings from the Western and Central Deserts, Utopia and the APY Lands as well...Read more -
DHARPA (Wood)
Larrakitj, carvings, fibre & barks 6 - 31 May 2022Sinous carvings intertwine with textured weavings, delicately wrought barks and striking larrakitj (poles) in this extensive exhibition of more than 50 sculptural works in wood from Arnhem Land, Central Australia...Read more -
Kulabbarl (Billabong)
In partnership with Injalak Arts 10 - 29 Mar 2022Fine lined ochre paintings on paper by 15 leading and next generation artists from Injalak Arts, Arnhem Land. Featuring the plants and wildlife that live in and around the billabongs of the area - flying foxes, brolgas, ibis, water goanna, honey eaters, long neck turtles, magpie geese and waterlilies.Read more
Graham Badari's country is Maburrinj, in the rocky escarpment country about 120 kilometres east of Gunbalanya. He draws artistic inspiration from this environment and also paints the Dreamings of his Mother Country, Djurlka, where he spent time as a young man near the outstation of Marmardawerre. He was raised by the renowned artist Djawida Nadjongorle, but like many of the artists at Gunbalanya credits the late Thompson Yulidjirri as his greatest artistic influence. From these senior men, Badari learnt the fluid and dynamic figurative style that defines Kunwinjku painting at Injalak Arts. He began painting sporadically around 1990, but has since become part of a group of dedicated and innovative artists at Gunbalanya. His paintings show the influence of the visual language of their rock-art heritage, while remaining committed to artistic innovation. It is this beguiling balance of tensions, innovation and tradition, ancient and modern, beauty and terror, that energises Badari’s paintings.


