Niningka Munkuri Lewis Pitjantjatjara, 01/01/1945-November 2020

Works
  • Niningka Munkuri Lewis, Ara Iritjita (Life in the olden days), 2016
    Niningka Munkuri Lewis
    Ara Iritjita (Life in the olden days), 2016
    incised and painted board (box framed)
    91 x 91 cm
    35 7/8 x 35 7/8 in
  • Niningka Munkuri Lewis, Ara Iritjita (Life in the olden days), 2016
    Niningka Munkuri Lewis
    Ara Iritjita (Life in the olden days), 2016
    acrylic paint on structural plywood
    231.1 x 231.1 cm
    91 x 91 in
Exhibitions
Biography

Niningka was born in the bush in 1945 at a place north of Areyonga. Her parents had previously come to live at Ernabella but were on holiday on foot, as people would do every year still at that me. As a baby she came to Ernabella and grew up here, accompanying her family on annual holidays to many places such as Angus Downs, Curtian Springs and Imanpa.

After school she worked at the Ernabella Mission craft room, where Winifred Hilliard taught her how to spin sheep’s wool and weave rugs. She moved to Amata as a young woman and worked in the clinic before setling in Kalka where she married and had one son.

She moved then to nearby Kalka where she developed her skills in batik, and went on to be one of the supervisors for the Kalka women’s centre. It was around the same time, in 1997, that Niningka was introduced to coiled basketry.

Niningka is also an expert woodcarver, who made punu carvings for Maruku Arts at Uluru. She often decorates her baskets with these small figurative carvings, or other applied decorations like emu feathers, ininti seeds, and overstiched or embroidered designs, as well as brightly coloured wool/raffia paterns woven into her baskets. Her talents as a sculptor are also apparent in the range of forms she creates from baskets, hats, sandals, cups, saucepans, birds and even small motor cars.

Niningka made the first life-sized grass figure for the Tjanpi Manguri Weaving exhibition in 2000 that an cipated the Tjanpi Desert Weavers’ move into figurative sculpture-making. This saw them win the NATSIAAs with their tjanpi Toyota sculpture. Niningka is highly regarded for her innovative creativity.

When Niningka’s husband sadly passed away, she came back to Ernabella to be at home and to spend me with her older sister, Pantji Lionel. She now works at the Ernabella art centre again, painting, making tjanpi, punu, mukata (beanies) and ceramics.

Niningka has been concentrating on her painting at the art centre since 2009. This has seen her Highly Commended in the painting sec on of the 2010 NATSIAAS and in 2011 she had her first solo exhibition, at Melbourne's Alcaston Gallery.