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The Summer Show 2023 | Grand Design : Contemporary Aboriginal art of high quality and large scale

Past exhibition
27 December 2022 - 7 February 2023
Open a larger version of the following image in a popup: Djul'djul Gurruwiwi, Dhatam (Waterlilly), 2021
Open a larger version of the following image in a popup: Djul'djul Gurruwiwi, Dhatam (Waterlilly), 2021
Open a larger version of the following image in a popup: Djul'djul Gurruwiwi, Dhatam (Waterlilly), 2021
Open a larger version of the following image in a popup: Djul'djul Gurruwiwi, Dhatam (Waterlilly), 2021
Open a larger version of the following image in a popup: Djul'djul Gurruwiwi, Dhatam (Waterlilly), 2021

Djul'djul Gurruwiwi Yolgnu, b. 16/12/1965

Dhatam (Waterlilly), 2021
earth pigments and sand on stringybark
225 x 19 cm
88 5/8 x 7 1/2 in
MM5944

Further images

  • (View a larger image of thumbnail 1 ) Samson Bonson, Mimih Spirit, 2022
  • (View a larger image of thumbnail 2 ) Samson Bonson, Mimih Spirit, 2022
  • (View a larger image of thumbnail 3 ) Samson Bonson, Mimih Spirit, 2022
  • (View a larger image of thumbnail 4 ) Samson Bonson, Mimih Spirit, 2022
  • (View a larger image of thumbnail 5 ) Samson Bonson, Mimih Spirit, 2022
This imagery refers to perhaps the oldest continuous human religious iconographical practice: the story of the Rainbow Serpent. Estimates vary from 40,000-60,000 years on the depictions of the Rainbow Serpent...
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This imagery refers to perhaps the oldest continuous human religious iconographical practice: the story of the Rainbow

Serpent. Estimates vary from 40,000-60,000 years on the depictions of the Rainbow Serpent in West Arnhem rock shelters.


Amongst the Dhatam, waterlillies, two ancestral figures travelled Gälpu clan lands and on further, during the days of early times called Waŋarr: Wititj, the all powerful rainbow serpent (olive python) and Djaykuŋ the Javanese filesnake that is a companion and possibly alternate incarnation of Wititj, living in amongst the Dhatam, or waterlillies, causing ripples and rainbows (Djari) on the surface of the water (one reference in the cross hatch).


The story of Wititj is of storm and monsoon, in the ancestral past. It has particular reference to the mating of Wititj during the beginning of the wet season when the Djarrwa (square shaped thundercloud) begin forming and the lightning starts striking. 


The Galpu clan miny’tji (sacred clan design behind the lillies) represents Djari (rainbows) and the power of the lightning

within them. It also refers to the power of the storm created by Wititj, the diagonal lines representing trees that have been knocked down as Wititj moves from place to place. The ribs of the snake also form the basis of the sacred design here.

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EVERYWHEN ART, Whistlewood, Bunurong Country
642 Tucks Road, Shoreham, Vic. 3916
T + 61 3 5931 0318  E:info@everywhenart.com.au 
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