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Open a larger version of the following image in a popup: Marshall Jangala Robertson, Watiya-warnu (Seed Dreaming) , 2019

Marshall Jangala Robertson Warlpiri, b. 1974

Watiya-warnu (Seed Dreaming) , 2019
acrylic on linen
91 x 183 cm
35 7/8 x 72 1/8 in
MM4989

Visualisation

On a Wall
This painting tells the story of a Jangala 'watiya-warnu' (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked...
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This painting tells the story of a Jangala 'watiya-warnu' (Acacia tenuissima) ancestor who travelled south from a small hill called Ngurlupurranyangu to Yamunturrngu (Mount Liebig). As he travelled he picked the 'watiya-warnu' seeds and placed them in 'parrajas' (food carriers), one of which he carried on his head. Watiya-warnu is a seed bearing tree that grows in open spinifex or mulga country. When people returned to their camp after collecting the seeds they would make large windbreaks for shelter and winnow the seed in the late afternoon. Immature 'watiya-warnu' seed is ground into a paste and can be used to treat upset stomachs The associated 'watiya-warnu' ceremony involves the preparation of a large ground painting. This Jukurrpa belongs to Nampijinpa/Nangala women and Jampijinpa/Janagala men. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. In paintings of this Dreaming 'U' shapes are often depicting women collecting the 'watiya-warnu' seeds. Oval shapes represent the 'parrajas' where they carry the seeds and strait lines beside them frequently portray digging sticks.
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