Jack Nawilil Rembarrnga, Mayali, b. 1/1/1945

Works
  • Jack Nawilil, Buya male, 2023
    Jack Nawilil
    Buya male, 2023
    Kurrajong with ochre pigment, feathers and bush string
    175 x 10 x 10 cm
    68 7/8 x 4 x 4 in
    $ 5,200.00
  • Jack Nawilil, Buya Male, 2023
    Jack Nawilil
    Buya Male, 2023
    Kurrajong with ochre pigment, feathers and bush string
    177 x 10 cm
    69 3/4 x 4 in
    $ 6,900.00
  • Jack Nawilil, Namorrorddo (a profane spirit), 2016
    Jack Nawilil
    Namorrorddo (a profane spirit), 2016
    paperbark, ochre pigment, PVA fixative, natural fibres, bush wax and feathers
    158 x 9 cm
    62 1/4 x 3 1/2 in
    $ 3,700.00
  • Jack Nawilil, Namorrorddo a Profane Spirit, 2012
    Jack Nawilil
    Namorrorddo a Profane Spirit, 2012
    paperbark, natural fibres, ochre
    height 154 cm
    height 60 5/8 in
    $ 3,700.00
  • Jack Nawilil, Spirit Poles
    Jack Nawilil
    Spirit Poles
    paperbark, ochres, feathers, bush string
    Various sizes from 110 - 170 cm
Exhibitions
Biography

Mayali and Rembarrnga artist Kamarrang Jack Nawilil is a senior member of the Balngarra clan, who lives and works at Bolkjdam, an outstation located near Maningrida community in central Arnhem Land. He is a leading artist with Aboriginal owned NFP Maningrida Arts. A song man and cultural leader, he works across painting on bark, carved sculpture and ceremonial objects such as mularra (morning star poles), mako (didgeridoo), lorrkkon (hollow logs) and body adornments using feathers, native beeswax and hand-spun bark fibre string. Common subjects of his work include representations of significant spirit beings, such as wyarra (skeleton), wurum (fish-increasing) and namorrodo (profane) spirits, and important ancestors, including the female creator ancestor Ngalkodjek who travelled from Elcho Island in the East. 

 

The narratives represented in Nawilil’s artworks are extremely complex and often antithetical to Western knowledge systems. His artworks reference and manifest multiple places, clans and events that span vast distances and timeframes. To audiences who are not initiated and socialised in bininj (Aboriginal) cultural practices and history, the true and complete meanings of these artworks cannot be fully grasped. His artworks challenge the viewer to grapple with a different way of being in, and understanding, the world. 

 

Nawilil’s work is held in public and private collections including the Museum of Contemporary Art, Sydney, the Queensland Art Gallery of Modern Art, Brisbane, and the National Gallery of Victoria, Melbourne. He has exhibited with commercial galleries around Australia and overseas for nearly four decades.